Responsible for ushering in the free and Avant garde jazz movement, Ornette Coleman was born in Texas but spent most of his professional life in New York. Because of the similarities, the saxophone had no trouble fitting right in. . His sheer influence, talent, and contribution to the genre as a whole is even more impressive when you consider how young he was when he died. The title's reference to the instrument in question certainly seems to carry more than a little disdain, but the fact that a post-modern, frenzied sax solo takes up so much … The saxophone will respond to a wimpy puff of air—and will sound like it. Enter your e-mail address here and hit subscribe: rukkle participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. The saxophone has a very creative sound that is flexible for many genres including classical, jazz, soul, blues, contemporary, pop, rock, and marching bands. And his own works as a bandleader, especially his prolific 1968-70 run at Capitol Records with recently departed producer David Axelrod, stand as reminders of what a fearlessly inventive soloist and stylist he could be, flirting with everything from gospel to classical to Afrobeat. Find the Saxophone sound you are looking for in seconds. Who ARE you? MUSIC & ARTS IS A NATIONAL MUSIC RETAILER WITH RESOURCES FOR PARENTS, STUDENTS, EDUCATORS AND MUSICIANS. Gordon’s charisma was also seen on-screen, as a fading jazz icon in Round Midnight (earning him an Oscar nomination for his role), and as a silent patient alongside Robin Williams and Robert De Niro in Awakenings. Here are just eight of the most famous saxophonists of all time, in no particular order. —G.F. —A.H. But if honking had a big-bang moment when it crossed over into popular music, it was surely Cecil James “Big Jay” McNeely's 1949 hit, “Deacon's Hop.” McNeely, a Watts native who was just 21 when he recorded the searing instrumental, played his instrument with such unhinged ferocity that it inspired an entire generation of R&B sax players to, as McNeely liked to put it, “blow their brains out.” —A.H. Several have managed to do all three. Sonny Rollins —G.F. Known for his time with the Duke Ellington Orchestra that lasted from the mid-1930s to the late-1940s, he worked alongside the likes of Duke Ellington, Dizzy Gillespie, and Fletcher Henderson throughout his career as a saxophone musician. Gerry Mulligan Soon after discovering the soprano saxophone in a London shop in 1920, he made his first recordings and became known for his reedy soprano blowing, which had tons of vibrato and emotional intensity. Where is John Coltrane? —A.H. —G.F. Young also had style in spades, always wearing his signature porkpie hat, holding his horn at a 45-degree angle, and introducing new vernacular, including “cool,” “bread” (for money), “dig” and even “homeboy.” In many ways, Young shaped the direction of not only jazz but of American culture. Look-you cannot go 8 deep and NOT include John Coltrane , and Sax makes everything better. Ornette Coleman. Does anyone know the song I am talking about?! Want to check out even more saxophone musicians? What is this new club song with a saxophone drop in it? —G.F. —Gary Fukushima. About 2% of these are Saxophone, 0% are Other Musical Instruments & Accessories. Who else? His robust, folklike melodies disintegrate into terrifying chaos, invoking fear and fascination in the listener’s soul, an experience not unlike binge-watching episodes of The Walking Dead. His sound was “a paradoxical blend of light and heavy,” Village Voice jazz critic Gary Giddens wrote in his Visions of Jazz anthology; “he produced a breezy tone backed by heroic force.” —A.H. Biggest free online database! It is easy to produce a sound on a saxophone. It’s impossible to overstate the impact this saxophonist has had on the legacy of jazz. Kamasi Washington Throughout his career, he was a go-to session man for anyone who wanted a tenor sax solo with that rough-edged, rock & roll feel, from Janis Ian to Aretha Franklin to Joe Cocker to, improbably, Lady Gaga. Raised in a jazz family in Inglewood and trained at UCLA under such luminaries as Kenny Burrell and Gerald Wilson, Washington has cultivated a sound both steeped in tradition and aggressively ambitious and forward-thinking; not for nothing did he title his 2015 debut solo album The Epic, or pointedly call its opening track “Change of the Guard.” As technically gifted as Sonny Rollins, rhythmically adept as Rakim and boundary-shattering as Sun Ra, Washington is already taking jazz to new places — and he's just getting started. 1. Coleman Hawkins Pop music in the 1950s took a lot of its early influence from jazz. In a way, rock and roll is a simplified version of jazz, at least harmonically. That’s cool. His albums are essential listening for any jazz aficionado, and many of the tunes he wrote are now classic jazz standards, efficient vignettes of melodies and chords that helped to define modal jazz harmony. 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